(via), Julie Mehretu - Psychogeographic paintings:

The twelve paintings in Julie Mehretu: Drawing into Painting, curated by Douglas Fogle and originated at the Walker Art Center in 2003, are densely layered works that describe a futuristic environment capturing the sense of our time in history. (...) Mehretu’s works draw from those traditions yet her image of the urban environment depicts a post modern city. Her paintings are built from the juxtaposition of different styles of marking, each with their own character, identity and history. These dense compilations of marks create overlaps and transparencies. The resulting layered compositions exude an energy that is consistent with contemporary society. She depicts a world that is in constant motion, a world that draws from the past as it looks toward the future.

Check this one: Julie Mehretu, “Excerpt (Suprematist Evasion),” 2003, ink and acrylic on canvas, 32 x 54”.

Why do I blog this? I like these representation of (data? artifacts? vehicles? city?) flows. Wouldn't it be a nice metaphor for a physical representation of what we used to call cyberspace, a la hertzian tales? I like this concept of "invisible topographies" (see here or here).