Being a reggae/dub amateur for quite some time, I always wanted to write about it. The lack of time, and the remote character of this topic wrt to other interests made me postpone this for a long time. Last year, I started becoming intrigued by a sub-genre where artists play reggae with 8-bit machines... and I thought this would be a peculiar research topic for the Geneva bureau of the Laboratory.

So... after conducting a series of interview with musicians, a copious literature review about the history of reggae/chiptune and an analysis of technological artifacts used by performers (things like modified C64 SID turned into dub machines)... it seems the final correction has been made on the "8-bit reggae" manuscript and Etienne (Editions Volumiques) is currently working on the page layout. The idea is to have a paper-booklet on which the reader can use his phone to access media content (music, video); without a QR code (this is important as I find them annoying). To be released at the beginning of 2014!

The book is a description of how the world of reggae/dub collided with the one of video games... and how it led the birth of an intriguing, and original form of culture. It's the occasion to introduce the idea of "machine creolization" – the role of machines/algorithms in the hybridization of culture – an important feature of contemporary culture. The effort is now on working on other projects related with this concept.

Talking about the book project recently, I've been asked several times if I could give "an introduction" or "a playlist" to this subgenre, here it is!

Why do I blog this? Update on a project rarely mentioned on this blog!